refugee rescue

The British artist doesn’t want his gift to be confused with art.

Migrant child being rescued in Lesbos. Courtesy: Refugee Rescue.

It was September of 2015 when Irish curator Jude Bennett watched a police officer scoop up the tiny body of three-year-old Aylan Kurdi from the beach near the Turkish resort of Bodrum. The Syrian toddler had drowned, along with his five year-old brother Galip, when their father loaded them onto a crowded dinghy in a desperate effort to escape the war in Syria.

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Bennett, who was then working at the Cardiff artists space g39, watched the televised footage inside her apartment in Bristol. Seeing the images, she felt like her heart would jump out of her chest. As she tells it, she knew a Belfast musician named Joby Fox who had recently traveled to Lesbos to volunteer in rescue operations. “He was pleading on Facebook for help to get back out there,” she remembers. Unable to get the infant’s face out of her head, she rang him and asked a simple question: “Can I help?”

These were the inauspicious beginnings of Refugee Rescue, an artist-heavy volunteer search and rescue team based on the Greek island of Lesbos. Registered as a European charity by both Bennett and Fox in late 2015, the organization serves a lifesaving mission for the 200 to 300 refugees a week—they hail mostly from Syria, Afghanistan, Iraq, Somalia and Sudan— that attempt the treacherous 3.5 mile sea crossing between Turkey and the island. Despite the fact that Refugee Rescue started out as a scrappy beach-bound group, they were soon buoyed by an unexpected gift: a 32,000-euro, Atlantic 75-class lifeboat donated by Jake Chapman, half of the famous British artist duo Jake and Dinos Chapman.

Jude Bennett, Co-Founder Refugee Rescue. Courtesy: Refugee Rescue.

Jude Bennett, Co-Founder Refugee Rescue. Courtesy: Refugee Rescue.

Bestowed anonymously, Chapman’s gift literally made the group’s mission seaworthy. As Fox told a Belfast news outlet last January: “We’ve been using a human chain to reach the people who fall in the water, but it’s treacherous for everyone. It’s freezing, frightening and very dangerous. So having this boat will make all the difference.”

“When we first got to Lesbos,” Bennett told me from the relative calm of a Copenhagen respite, “there was only one jet-ski and no rescue boats. A tech in Jake’s studio knew about Refugee Rescue, so he phoned me up. I told Jake what things were like on the ground and suggested he come down. Towards the end of the conversation, he said he wanted to pitch in personally. Not long after, I was inspecting the boat in Bristol, and driving back to Greece to get the crew together and do the paperwork.”

Speaking by phone from his studio in London, Chapman was keen to articulate the rationale behind about what has, until recently, been an anonymous contribution. “First, I think state actors really have the primary responsibility to fix this mess as opposed to individuals,” he says. “Also, I’m very cautious about the idea that charity pays off guilt. But seeing the practical nature of what Refugee Rescue were doing, I decided it was actually harder to avoid helping than to pitch in and help. I’m not being euphemistic when I say that buying the boat and sending it to Greece was the least I could do.”

Jake Chapman. Photo credit: Nic Serpell-Rand Photography.

Jake Chapman.
Photo credit: Nic Serpell-Rand Photography.

Not wanting his gift to be mistaken for art, Chapman describes Refugee Rescue’s mission as pragmatic in the extreme: “The magnitude of what’s going on in Lesbos is awful. It’s about dragging people the last hundred meters to shore. Buying the boat and fundraising, therefore, is not symbolic, it’s a set of transactional facts, and totally practical. There’s something pathetic about Ai Weiwei going to lie down on the beach to aestheticize others people’s misery. That’s not what’s happening here at all.”

Part of what Chapman and Rescue Refugee aim to do by outing the British artist is to bring additional attention to an organization that currently survives, in Bennett’s words, “very much hand to mouth.” The goal, she says, is to transform the group from one with monthly objectives into one that can plan at least two years in advance. Both Bennett and Chapman say that an art auction to benefit Refugee Rescue is planned for mid-March.

 

SOURCE: ARTNET NEWS

REFUGEE RESCUE: visit their website here

ABOUT REFUGEE RESCUE

Refugee Rescue is a voluntary Search and Rescue (SAR) crew operating on Lesvos, Greece. Our skilled crew and rescue boat ‘Mo Chara’ (‘My Friend’ in Irish) have helped thousands and saved many lives at sea. Our mission is to remain active 24/7 to protect our fellow humans who are fleeing war and prevent anymore deaths at sea.  

Refugee Rescue was initiated in 2015 by civilians as a humanitarian response to the thousands of refugees drowning (over 5000 people) in the short stretch of water between Turkey and Greece. We could not look the other way – Refugee Rescue launched our rescue boat Mo Chara (ex RNLI Atlantic 75) with skilled SAR crew in early 2016.

In 2017 we are still there and still needed – Refugee Rescue Boat and crew are out every day. We are the humanitarian front protecting people at sea on Europe’s southern shores as they seek refuge from their war-torn countries.

We have done this with individual donations and civilian support- direct action works. Please continue to support to help save lives by supporting our skilled SAR team and rescue boat Mo Chara.

 

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